Tate Britain Exhibition

Henry Moore

Henry Moore Tate Britain exhibition banner

Radical, experimental and avant-garde, Henry Moore (1898–1986) was one of Britain’s greatest artists. This stunning exhibition takes a fresh look at his work and legacy, presenting over 150 stone sculptures, wood carvings, bronzes and drawings.

Moore rebelled against his teachers’ traditional views of sculpture, instead taking inspiration from non-Western works he saw in museums. He pioneered carving directly from materials, evolving his signature abstract forms derived from the human body. This exhibition presents examples of the defining subjects of his work, such as the reclining figure, mother and child, abstract compositions and drawings of wartime London. The works are situated in the turbulent ebb and flow of twentieth-century history, sometimes uncovering a dark and erotically charged dimension that makes us look at them in a new light. The trauma of war, the advent of psychoanalysis, new ideas of sexuality, primitive art and surrealism all had an influence on Moore’s work.

Highlights of the show include a group of key reclining figures carved in Elm, which illustrate the development of this key image over his career. Moore was an Official War Artist and his drawings of huddled Londoners sheltering from the onslaught of the Blitz captured the popular imagination, winning him a place in the hearts of the public. Don’t miss this fantastic opportunity to truly understand this artist’s much-loved work / Britain’s most successful sculptor.

Visit Henry Moore's sculpture studios, home and gardens at Perry Green, Hertfordshire, and the Henry Moore Institute in Leeds. Both are part of The Henry Moore Foundation, set up by the artist in 1977.

Tate Britain

Millbank
London SW1P 4RG
Plan your visit

Dates

24 February – 8 August 2010

Find out more

  • Henry Moore 3D model: Recumbent Figure (1938)

    A digital 3D examination of Henry Moore’s large stone Recumbent Figure 1938.

  • A gift of sculpture

    Alice Correia

    From his earliest days as a student in the 1920s to the 1950s when he was a Trustee and until his death in 1986, Henry Moore’s art and life were closely entwined with that of Tate. To coincide with two new displays at Tate Britain, which include work donated by the artist in 1978, Tate’s new Henry Moore Foundation research fellow celebrates the sculptor’s gift

  • Scale in Sculpture: The Sixties and Henry Moore

    Anne Wagner

    How do size and scale matter to the sculpture of Henry Moore? This paper offers a preliminary investigation of this question, pointing not only to the phenomenological and contextual implications of scale in sculpture, but also to some of the transformations in Moore’s studio practice that work at monumental scale demanded. On the one hand, these expansions brought his sculpture closer to the European tradition of sculptural making, in particular to the means of enlargement historically used within the sculptor’s studio; on the other, they saw him adopting new materials – polystyrene in particular – to allow him to operate efficiently, and in a conceptually more venturesome, and more unsettling way.

  • Sculpture and Drawings by Henry Moore

    Sculpture and Drawings by Henry Moore; 1951 exhibition at Tate Gallery

  • Artist

    Henry Moore OM, CH

    1898–1986